Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
James Davis: Live from the Town poster

James Davis: Live from the Town (2019)

James Davis: Live From The Town is a raucous hour of comedy that puts Davis’s second-to-none stage presence and crowd engagement on full display. With a captivating delivery that keeps his audience hanging on his every word, Davis shows incredible range, including an impression of Barack Obama as a party DJ; the invention of Barbecue Davis, his professional golf alter-ego; dissections of social topics from #MeToo to police violence; and hilarious commentary on everything from “pimp uncles” to getting his car keyed.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


James Davis: Live From The Town is a raucous hour of comedy that puts Davis’s second-to-none stage presence and crowd engagement on full display. With a captivating delivery that keeps his audience hanging on his every word, Davis shows incredible range, including an impression of Barack Obama as a party DJ; the invention of Barbecue Davis, his professional golf alter-ego; dissections of social topics from #MeToo to police violence; and hilarious commentary on everything from “pimp uncles” to getting his car keyed.

Rating:
Genre:Comedy
Directed By:Ryan Polito
Written By:James Davis
In Theaters:1/11/2019
Box Office:

Runtime:60 minutes
Studio:

Articles You May Like


It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses