A filmmaker sets out to make a new project in order to figure out how he's screwed up every relationship he's ever had.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
