In "psychanalyse", a two part documentary, the psychoanalyst Jacques Lacan answers to questions submitted by his son-in-law Jacques-Alain Miller under the direction of Benoit Jacquot. The Office de Radiodiffusion Television Francaise (ORTF, the french public TV) broadcast this program. This documentary and its text became famous because this is the only televisual experience practiced by Lacan. A fair amount is made of the fact that Lacan was renowned for his powers of seduction and what effect this had on transference in the clinical setting. According to some of the interviewees, he could be irresistibly seductive, so much so that some thought him "monster".
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
