No One Mourns the Wicked?
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.

Jacinto, a robust adult with the mind of a child, lives with his ageing parents, the last inhabitants remaining in an isolated rural village in the Galician mountains. Jacinto amuses himself playing with his pig or in the surrounding chestnut forests building a fantasy world where he reigns supreme. He is also keen on watching vampire movies. When a couple of young girls arrive to take residence at an abandoned house in the village belonging to one of their deceased relatives to record new songs for their heavy metal band, Jacinto becomes convinced that they are vampires. Their worlds could not be more far apart. Just like in the movies Jacinto has to come up with a plan to make the newcomers disappear, and bring peace back to his enchanted life again.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.