Can words bubble up like soda pop?
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.

Russia, 1875: In Riazan’, Dr Pavlov is summoned to a landowner who refuses to accept the inevitability of his death; to Pavlov’s dismay, he orders the destruction of a beautiful apple orchard. 1894: Experimenting on dogs, Pavlov tries to comprehend the interaction between nerves and external signals governing digestion. In 1904, he formulates the principles of conditional reflexes. When Zvantsev, an opponent of Pavlov’s materialist worldview, leaves the laboratory, the scientist hires Varvara Ivanova who becomes his most reliable assistant. 1912: Pavlov receives an honorary doctorate from Cambridge University. 1917: Despite Pavlov’s political scepticism, the Bolshevik administration treats him with great respect.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
A family drama is woven with quiet yet powerful forces of words and nature.