Polarizing Polar: An Exploitation Film For the Modern Viewer
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.

After a small-town film festival where the main characters, Mitch, Maynard and Cherie win absolutely nothing, both men wind up in jail for having stolen the Matricher Falls 3rd Annual Film Festival's "Grand Jury Ladle Prize" and Cherie joins up with a shady distribution company. After she becomes an investor, the two shady distributors get her to invest everything she owns in It's the Gravy Unlimited Film Distribution Company Unlimited (ITGU). Soon after she forms her partnership with Stankey and Kahn, the pair goes out of town, leaving Cherie with all their liabilities, and no assets. After she springs Maynard out of jail, the two mobilize some town folk to help them save the failing distribution company in an attempt to get whole.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.