Why Angelina Jolie's "Hardbody" in 'Lara Croft: Tomb Raider' Appeals to the Woman Spectator
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.

In Trzebiatów, a small town, there is an unusual bustle. A crowd of residents has gathered in the market square to welcome their beloved MO sergeant, Władysław Lichniak. The sergeant has just returned from his written high school final exam. The residents, who adore him, make sure he has the right conditions to study. They have limited their alcohol consumption and maintain order in the town themselves. Unfortunately, a fight breaks out and disturbs the sergeant's peace.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Sam Levinson's latest film can't keep up with the excellence of its performances.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.