
Plagued by nightmares that become reality twenty-four hours after they are dreamed, a young woman must convince her friend to believe her visions to prevent a life-altering event.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.