Set against the backdrop of a traditional Portuguese society, Fado Bicha (trans)forms heteronormative Fado music into a queer labyrinth of self-acceptance and self-expression. By reclaiming the scars that homophobia and transphobia have given them, Fado Bicha exposes what Fado music could have been if society were more accepting.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
A family drama is woven with quiet yet powerful forces of words and nature.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
