Restaurant supervisor Jill (Karena Lam) has a handsome boyfriend Chi On (Wu Bing), but she is just his backup girlfriend. She knows she is the other girl, but her hope for being his one and only has never ceased until he changes his formal girlfriend once again. All her anger goes to her co-worker Jack (Ekin Cheng), who appears to be a womanizer but indeed shares a similar unfortunate romantic situation of being the backup boyfriend of an airhostess. Knowing that both are victims in romantic relationships, Jack and Jill no longer spar with each other and a liking between them start to develop
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
A family comedy that combines fantasy and normal school life.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
