Why Joel Coen’s ‘The Tragedy of Macbeth’ is the Best Version
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.

In this eerie hospital chiller, a medical student wakes up in an isolation room, gravely ill with no idea how she got there or how to get out. Trying to make sense of her plight and save herself, she finds the hospital staff distinctly unhelpful.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Based on the legendary creature, the Chupacabra, this live-action movie brings an adventure to all.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.