Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

Ismael, widower of his beloved wife Teresa, walks the streets of the city in search of cardboard, in his extensive travels he has confrontations with Juan - a mental patient who thinks he is a dog and with Luigi - the most famous baker in the city. , who always scolds her daughter, because she did not inherit his gift in baking. But the destiny of these people is about to change, thanks to a magical event that Ismael will unleash.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
Two Korean sisters must save their family after a ghost tears the family apart.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!