EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

On a Greek island during the 1912 war, several people are trapped by quarantine for the plague. If that isn't enough worry, one of the people—a superstitious old peasant—suspects a young woman of being a vampiric demon.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.