'No One Will Save You'
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'

In Antonello Giallo's follow up to the notorious Pleasures of the Damned, private investigator Jack Steele is hired by a mysterious treasure hunter to help find the lost treasure of Marco Polo. Along for the trip is Jack's adopted son, Billy. Their search brings them to an island off the coast of Argentina... and into the clutches of a primitive cannibal tribe, the Yamma Yamma. Alexis Kinkaid, a mysterious recluse who has made his home on the island amongst the cannibals, may hold the key to unlocking the island's secret... if they don't end up in the belly of a savage first! Isle of the Damned, originally released in Italy in 1980, brought Giallo under fire yet again by the Italian government, who were outraged by the shocking and real scenes of primitive tribal rituals and cannibalism portrayed in the film. The film has been long out of print, but is presented here in a digitally remastered form.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.