Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Emilia, a young widow, is traveling by river to Islandia with her young daughter, Irina, in the 1950s. Because the river is low, they are stranded in Santos, a small town in the Peruvian Amazon. The time they spend there is enough to change the course of their lives. Emilia is the first teacher the town has had. Fifty years later, her legacy remains.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Sonic is a pretty generic buddy comedy with a light dusting of eccentricity.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Viola Davis is an EGOT pioneer and trailblazer advocating for diversity and opportunity in Hollywood. See the legendary actresses' rise to critical acclaim.