“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Gabriel is a happy man. On the way to take his daughter on a field trip he stops at a gas station. Everything changes when he spots her being forced into a van that takes off. Soon he will realize that is just the beginning of the end
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Sam Levinson's latest film can't keep up with the excellence of its performances.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.