Taking a Break from the News by Watching the News- but does “Last Week Tonight” Count?
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.

MR. IRON PALM is certainly not your average South Korean movie. For one, it stars Koreans and the setting is Los Angeles, with no visits to the homeland at all. It's an appealing romantic comedy, highly predictable, but there's something to be said about a movie that doesn't make its leading lady completely sympathetic. All of the actors do a good job, and the movie is more funny than romantic, more lively than dull, and in a romantic comedy, that's really all one can hope for. Certainly not a bad film by any stretch. Worth a look for those who likes some quirk in their romantic comedies.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.