
An anachronistic firefighter, a quotidian poet, and an expert soup-maker, Ducarmel also plays in a competitive basketball league. There’s only one problem with his hobbies: finding a babysitter to look after his daughter. Moreover, when he dozes off in the evening, he dreams… a little too forcefully. In his bizarre dream world, a beguiling blue book reigns, love looms, and he is the best basketball player of all time.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Airplane! (1980) is a fun spoof comedy with lots of laughs, right? I watched this film for the first time the other night. I loved it. Then came the racist jokes.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.