"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

On the shores of Aulis, the Greeks prepare to attack Troy. But their ships are unable to set sail because the gods are holding back the winds necessary for departure. Agamemnon consults the oracle. The solution is tragic. To appease the goddess Artemis, whom he had offended, he must sacrifice his own daughter.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Personalities clash and tempers fume in a family-run Chicago restaurant
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
This is a film that is going to leave some people bored, and some people thrilled.