'Hatching' - Social Media as the Modern Cardboard World
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.

Invicta FC 18: Grasso vs. Esquibel was a mixed martial arts event headlined by a strawweight fight between undefeated Alexa Grasso and Jodie Esquibel. The winner of the main event is expected to receive the next strawweight title shot against champion Angela Hill. The original co-main event was to be Irene Aldana facing undefeated Brazilian fighter Taila Santos to determine who challenges Tonya Evinger next for the bantamweight championship, however VISA issues forced Santos off the card and the fight was removed. Lynn Alvarez was scheduled to fight undefeated Indian fighter Manjit Kolekar but VISA issues forced Kolekar off the card and she was replaced by Mizuki Inoue. Agnieszka Niedzwiedz was scheduled to fight Claudia Rey but Rey was also unable to make the event due to VISA issues and was replaced by Christine Stanley. Aldana, Rey, and Santos are now being scheduled for the next event.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.