"Shot in murky black and white with a super-aggressive, super-nervous, super-8 trigger finger, INVASION is a DEVOesque time machine collapsing 50's lobotomization on 70's ecological blight to breed a future race of broiler foil mummies. Virgil, the hero, follows a path that parallels Kevin McCarthy's in the original INVASION OF THE BODY SNATCHERS, but Boone's blithe disregard for linear continuity produces a more divinely spacey comedia than Hollywood ever imagines." – Amy Taubin, SoHo News
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
The trainwreck is hot but tame.
