Grief, Fate, and Destiny in 'Wolf Like Me'
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.

Joseph is in his mid-sixties and has just lost his beloved wife. Everything in his big old mansion reminds him painfully of the years they spent together. One day several visitors turn up unexpectedly. They seem to be relatives of his deceased wife. In the beginning, the uninvited guests treat Joseph with loving care, but bit by bit the situation begins to change. The visitors slowly, almost unnoticably, become aggressive, even hostile, invaders. They try to get rid of Joseph and take over his house, his world, his thoughts. Is this just the paranoia of an old man or really a ruthless invasion?
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.