Intruder 

Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.

Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.

It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.

'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.