‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

A reconstruction of Man Ray’s Return to Reason (1929), Interval exploits dimensions of summer and winter while expanding time, questioning the process of the surrealist manifesto.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
'Sex Education' is one of the most diverse shows I've ever seen! From sexuality to gender identity to race, this show features so many minorities and so many different kinds of relationships!
The 'Hawkeye' season finale features all kinds of cool characters and resolves its loose plot threads efficiently, yet it's lacking when it comes to the vital development of its characters.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.