A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

Muscovite Sasha Trofimov returns home after serving in the army. In the absence of his father, his uncle, who works as a photographer, helps him decide on his profession. He takes the boy on as an intern, meaning that he will follow in his footsteps. Sasha, who has shown a great interest in photography, does not like his mentor's way of life very much, and he seriously thinks about "what to do?".
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
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Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.