Intermission (2004)

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.

This reboot of The Wonder Years is told from the lens of a Black man.

On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf,"  but all the more insightful, and much more animalistic at its core.

Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.

This indie short documentary archived the story of a staple rock band as well as an essential part of local history.