'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

On board a commercial airplane, Ruwe, an African intellectual, sits next to a white man named Walter. In their conversation, which is utterly brutal, honest and to some racist, Walter blames the 'Intellectuals' as to why Africa is in such a deplorable state.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.