Disney Pixar's "Turning Red" - Mei as a Red Panda Learns Acceptance
Growing up is a challenge for everyone.

Video installation, 2004, in Kunsthalle Lophem, curator Roland Patteeuw. Film sequences of one and the same woman are projected next to each other on different screens. 9 characters with, apparently, their own stories without beginning or end. A woman dissociates into 9 personalities but only one at the time can manifest itself in front of the camera. It is as if one of the characters temporarily borrows the space in the woman, in order to become image. Without any formal directions imposed upon her, the woman sculptures herself nine times from within herself. Unbearably fragile and incompatible with the will of our ego. So the origin of the work can be situated in a grey area of reality where thinking, feeling and observing have fallen apart irreversibly and now try to come closer to each other again.
Growing up is a challenge for everyone.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
As a horror buff, I was intrigued by people claiming 'The Sadness' was the most disturbing movie they've ever seen or to watch with caution. So, I finally put the internet to the test and watched it for myself... to varying results.