Redux Redux (2026) and the Violent Nature of Motherhood
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.

Inspector Gunnar Barbarotti has no increased desire for the grueling meeting with his ex-wife. The curious case, which he urgently needs to take on, is just right for the Italo-Swedes: after a birthday party in the idyllic town of Kymlinge, two members of the Hermanssons are missing. One is the black sheep of the family, a hapless aesthetic who achieved notoriety as "Wichs-Walter" after a lewd TV appearance in a jungle camp.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.