In 1974, an eccentric millionaire by the name of Alexander Schure founded the New York Inistitute of Technology's Computer Graphics Lab. Housed in a one hundred year old pink mansion in Long Island, the lab made large advances in digital paint, animation, and attempted to create the first computer animated film twice in its lifetime. Kickstarting Pixar, creating the alpha channel, and creating art with every new tool they could lay their hands on, this is the story of the forbidden pink house in Long Island.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
