10 Shakespeare Films to Watch for the Aesthetic
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."

This is the endless story about an old couple lost at the end of their last days. The Oldman seems a baby who just eats, sleeps and watches television. The Oldlady seems a mum who cooks, cleans and speaks to him. This old couple could live anywhere in the world. Their country is death. Their only world is a long wait. The Oldlady has taken control of both lives because she is in much better mental and physical conditions than him. Day after day the Oldlady plans and organizes different ways to kill themselves. But for the moment she is not shooting well. Days will keep following until a small mistake or the correct shoot end the sadness of this harsh wait.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
The Night Doctor achieves telling an original story in which the pace accelerates progressively while supported by dark aesthetics.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.