Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

This 12-minute Brazilian short film employs the found footage style in a slightly different way. The film is presented as a merge of two separate files extracted from the police archives in Sao Paulo, Brazil. On the first one, two policemen talk to each other, while watching and analysing images captured by surveillance cameras that shows a woman being stabbed to death by a couple, just before the two aggressors get killed by a mysterious man that shows up at the place. The second portion of the movie shows the intriguing facts that happen during a police raid on the apartment where the suspect of killing the previous couple lives.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
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'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.