Despite his faithfulness, Melvin is always under suspicion by wife Mame. Complications erupt when a woman from a party across the hall passes out in Melvin's bedroom just before Mame returns.
Leo McCarey
Director
Charley Chase
Melvin
Katherine Grant
Mame - His Wife
Jane Sherman
Mame's Friend
Lucien Littlefield
The House Detective
James Finlayson
The Desk Clerk (as Jimmie Finlayson)
William Gillespie
The Bachelor
Kay Deslys
Mitzi (as Kay de Lys)
Jack Gavin
Irate Husband (uncredited)
John T. Prince
Old Nubbs - Banker (uncredited)
Philip Sleeman
The Sheik (uncredited)
Martha Sleeper
Girl at Party (uncredited)
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.