“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

December, 1981. World-class champion Ewa Jaskólska is looking forward to a cruise around the world with her yacht. At her farewell party, several people are present that are connected to the new Solidarnośc movement. The guests are filmed by a TV journalist. The introduction of the martial law in Poland leads to problems for all people involved. Can Ewa go back to her home country after these dramatic changes in Poland?
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
This animated Christmas movie is based on the classic novel of the same name.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.