Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A young painter battling depression finds solace in her art and alcohol, but her inner thoughts eventually surface, forcing her to confront them. Through this introspection, she undergoes a transformative journey.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.