Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

After a series of mysterious and debilitating allergic reactions to food, a young woman joins a radical community of people who claim to be nourished by light.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
For those tranquil houses with white fences, what is happening behind every closed door?
Could you use some hearty laughs? Then you’re in the right place! Enjoy this selection of diverse international comedies.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.