“Driveways” Review
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

“This film offers a metacinematic study of tempo and change and a figure of velocity. […] Ota recorded [three different locations in Tokyo] at the interval of hours, and sometimes even days, by using different filters and by alternating the camera speed. The result…represents an inquiry into the abstract space-time of cinema where Ota plays with the physical fact that time is a ‘function of movement in space.’” –Malin Wahlberg
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Looking for some Afro-centric entertainment? Check out these movies and immerse yourself in Black culture.