Sister Talia, about to take her perpetual vows, learns of her friend Thuy's death and discovers that another friend, Trang, is possessed by a demon. Using her ability as a medium, Talia exorcises the demon and helps Detective Oh investigate a series of chain suicides. They uncover that Thuy's mother, Chao, a shaman from Vietnam, uses a curse called "Go" to drive people to suicide. When Talia learns Chao plans to pass the curse onto Thuy's daughter Jin, she decides to sacrifice herself by taking the curse into her own body. As she prepares for her fate, Talia is confronted with an unexpected truth.
The Forge is a moving story about a young man’s search for purpose. Through mentorship, discipline, and faith in God, his life is transformed from confusion into clarity, reminding us that true greatness is shaped in the fire of surrender and growth.
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
