Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Mortal is ready to do anything to obtain a divorce from his wife Nadia. To compromise her, he needs to find her a lover. He thinks he has found the ideal candidate in the person of a manly private detective by the name of Robert Arnaud. But the experience gets out of Mortal's control as, on the one hand, Robert and Nadia fall in love for good, and, on the other hand, Robert, assisted by resourceful young Toto, manages to expose Mortal as the jewel thief he is.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
This is a Spanish-speaking short film that contains English subtitles. The short film is produced in the United States.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.