Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

BBC documentary about the making of Steven Spielberg's Jaws.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.