The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

On a warm summer afternoon, adolescents Laure and Vincent set out into a small, isolated wood not far from the village to have a quiet picnic just for the two of them. However, their plans for a romantic getaway are disrupted when Laure's younger sister, Sarah, stubbornly manages to tag along. As the oppressive afternoon heat sets in and their minds become increasingly fuddled by the wine, the atmosphere shifts, eventually leading the two teenagers to awkwardly express their hidden fondness for one another in a tender coming-of-age moment. Sarah—whom both of them had completely forgotten about—witnesses the scene.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.