Fictional story of a traffic accident that triggers a catastrophe near a small village in 1990. A liquefied gas truck collides with a transport truck carrying radioactive material for reprocessing. An accident that was never thought possible by human standards. The radioactivity released must be contained at all costs. Not only the catastrophic consequences of the radiation, but also the panicked, irrational and inhumane behavior of those trapped in the village and the German army are portrayed in an almost unbearable way in this film.
Rainer Boldt
Director
Antje Hagen
Eva Wichmann
Hermann Lause
Pastor Fiedler
Jo Bolling
LKW-Fahrer
Gunnar Möller
Journalist Kaiser
Renate Schroeter
Christine Bensch
Karl-Heinz von Hassel
Gerd Wichmann
Wigand Witting
Joerg Bensch
Rainer Christian Nehring
Gotsche
Mathias Nitschke
Michael Bensch
Werner Schwuchow
Süchow
Peter Faerber
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.