'Night at the Museum: Kahmunrah Rises Again' (2022)
This animated movie focuses on Nick Daley, the son of Larry Daley, as "Kahmunrah Rises Again."

Two nerdy boys who call themselves Holmes and Watson spend their summer in a sleepy town where children vanish and reappear unnervingly changed, but the oblivious adults notice nothing. When Watson’s solo detective work hits a dead end, Holmes teams up with their friend Ica to crack the mystery. As strange clues mount, the trio races against time to uncover what’s behind the eerie transformations.
This animated movie focuses on Nick Daley, the son of Larry Daley, as "Kahmunrah Rises Again."
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.