Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Reanimated compilation of broadcast examples of the 'Magical Mystical Negro' and 'Superhuman Black Athlete' tropes. The African American community is too often portrayed in broadcast and print media as superhuman thereby defining African Americans as less than human and as an 'other'. These tropes are not far from the 'Uncle Tom trope (comic relief character whose role is to amuse the audience by showing the traits that characterize the racist stereotype of black people)' .
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.