The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

A life that goes off, one last goodbye in the room of an old speleologist. Darkness invades the view and seems to leave no escape, but unexpectedly beyond the darkness there is something, a new beginning, an elsewhere from which to start again. A world made of millenary rocks and concretions. A cave full of beauty and mystery, where nothing is what it seems.The only guide is a light on the head, whose shadows draw on the wet walls a new story. Exploring the wonders of the subsoil and looking for the way out of the eternal darkness, the viewer will be the protagonist of an allegorical journey in search of life and rebirth.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Mariah Carey's "All I Want for Christmas Is You" is an iconic family favorite with a multi-talented biracial lead that will remain fresh and magical for years to come.
'Uprooted' is a short film on what's happening in Ukraine as of today. This captures the emotions of the Russian invasion of Ukraine.
A short hybrid film featuring everyone's favorite Disney characters.