In the Autumn of the 41st 

It’s a cool looking Marvel character right off the page!  He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.  

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

The Olivia Wilde renaissance is upon us.

The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.

In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.