Shirley is a woman who wants to be in control of everything. Working as a librarian in a public school, a firm "Sshhh!" from her makes the students tremble in fear. But in her family, her unwarranted intervention in the lives of her children and their families keeps her emotionally detached from them. Realizing that she has lost the command she once had, she goes to New York to reunite with Mark, her estranged gay son who is now suffering from colon cancer. But Shirley doesn't know this, and living with Mark in New York comes with a cost. She has to live with her son's lover, Noel, who is an illegal immigrant. Everything is going right until circumstances force Shirley to go back to the Philippines. Now that she's back with her family, she realizes that something is wrong: she is not happy.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
"Warrior" is a Bruce Lee written and inspired story that follows a diverse cast of Chinese American characters and does a terrific job of setting the story in 1878 San Francisco - all without pulling their punches with the systemic racism, discrimination, and struggle for power that old and young immigrants that crossed the country at that time had to go through.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Do not trust Rotten Tomatoes. That is what I learned after watching Eternals. Critics currently rate it a 48%, but it's an amazing character-focused Marvel movie with positive diverse representation.
