Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Claudio is a selfish 40 year-old man who enjoys all the pleasures in life. With a limitless bank account at his disposal and a charming appearance, he jumps from one girl to the next . . . until he falls in love with Luisa.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.