Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
In Jesus Name poster

In Jesus Name (1991)

At "Jesus Name" churches in Alabama and Georgia. Services started in a mild, restrained way but the tempo went way up, really quick. It all started with a newspaper report of an arrest of a snake handler at a church outside Newport, TN. Pastor Will Campbell drove over to Newport to talk with the sheriff and see if some sensible settlement could be reached. They succeeded and the little church in Newport was allowed to continue its services. Will Campbell's history of helping folks in trouble goes way back. He walked with the school children in the Little Rock insanity. He was fired from the University of Mississippi for playing ping pong with a black person who was doing one of the marches through Mississippi.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


At "Jesus Name" churches in Alabama and Georgia. Services started in a mild, restrained way but the tempo went way up, really quick. It all started with a newspaper report of an arrest of a snake handler at a church outside Newport, TN. Pastor Will Campbell drove over to Newport to talk with the sheriff and see if some sensible settlement could be reached. They succeeded and the little church in Newport was allowed to continue its services. Will Campbell's history of helping folks in trouble goes way back. He walked with the school children in the Little Rock insanity. He was fired from the University of Mississippi for playing ping pong with a black person who was doing one of the marches through Mississippi.

Rating:
Genre:Documentary
Directed By:Al Clayton
Written By:Al Clayton
In Theaters:9/9/1991
Box Office:

Runtime:47 minutes
Studio:

Articles You May Like


Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger