Beatified by Blessed John Paul II in 1980, Kateri Tekakwitha was proclaimed the first Native woman saint by Pope Benedict XVI on October 21, 2012. This moving documentary takes us on a journey from Upstate New York State to Montreal and Kahnawake; from Washington State to New Mexico, as we follow St. Kateri's incredible journey of deep faith, heroic sacrifice and love of Christ. Featuring many people who have been touched by her -including the little boy who received the miraculous healing that led to her canonization, this splendid film shows that no one is too simple or too young to follow Christ.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
